It would be a mistake to consider Contact merely a movie "about" religion-cience conflict, though Ellie's attempts to articulate the meaning that her space-wormhole suffer (and the space program's millisecond of lost radio contact) had for her put her on the verge of saying that the eff was spiritual. For her near-suggestion that the cosmos may involve the hand of God, she is essentially shushed in favor of more steering on points on one hand and accountability for the unmistakable failure of a very costly science have on the other. That episode is consistent with Carter's view that contemporary gloss does not honor but rather trivializes religion: "one should not try to oversimplify the hu hu sliceity mind by making religious conviction a ground for nullify law" (Carter 120). In Contact, what turns out to be Ellie's discovery of a spiritual (not solely spiritual, but not merely sci
Ellie's failure to convey the existence she has mat up and her conviction that what she experienced was direct and tangible for her are what gather Contact a proxy for the encounter among man and God--or more exactly for the unavoidable encounter between man and the problem of God. This problem, indeed, which inevitably dissolves into ambiguity or faith can be interpreted as the core of all religious experience. That experience at its most fundamental can be called the God-concept.
Everyone at NASA control takes the core of Ellie's experience to be the unsubstantial mission and destruction of the fancy space tower, as advantageously as the anomalous millisecond gap that Ellie experiences over a period of several hours of bent-Einsteinian time.
But the importance of the disconnect between Ellie's experience and that of the technical people on the ground is the fact that she cannot convince others of the reality that unfolded from her when the weight of evidence is that her reality is physically impossible. It is the same category as mankind's concept of God because that reality, i.e., spiritual experience, when carefully thought out and systematically examined is idiosyncratic and to the highest degree impossible to deal out. Or at least it is impossible to share relative to the manner in which reason and evidence lift together to make sense of veridical experience. In Contact, Ellie's experience is materially real, or anyway not her imagination, but it is similarly strongly at odds with the material experience of the scientists. Because hard-science reality is grounded in the evidence of material time, space, and objects, the effect of her experience is that its reality is spiritual or magical, hence less important than material reality that human beings share.
If logic and reason and science cannot let off God, neither can they confine the concept of God, still less the concept of God's existence: "God does not exist. He is being-itself beyond essence and existence. Therefore, to argue that God e
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