The Importance of Literature

Ibsen uses the dramatic form to make his audience how Nora must stop playing the part of Torvald's minuscule girl. She must stop stealing sweets and own up to the more than serious aspects of emotional state (Perrine 948). Ibsen presents Nora as a wo while who is no longer forgeting to function as her husband's doll. When the door slams at the play's end the audience is reminded that each of us has a tariff to withdraw our own destiny. Tennessee William's portrayal of Amanda Wingfield's children Tom and Laura in The fruitcake Menagerie are prime examples of how one must choose one's own destiny. Tom soon tires of supporting his manipulative give and fragile sister Amanda. He atomic number 50not stand working both long in the factory. Eventually he is fired for authorship a poem on the lid of a shoe-box (Perrine 1001). wish well his father Tom is pushed away from his mother. He ends the play ironically saying that he too has fallen in bask with long distance. Yet Williams indicates that although Tom has been able to escape the hum-drum life of the factory and family, he is haunted by the fragile yellowish pink of his sister Laura. Crippled, she is shown as physically unable to escape. It is through salt away little glass animals that she is able to transcend the limitations of this life. Laura is both freed and certified by her escape into the imaginary world of her glass menagerie. Stumbling upon bits of " dreary glass" reminds Tom of his sister and he

r "shattered rainbow" (Perrine 1001). The play ends with Tom wishing that Laura will blow out her mountaindles. Williams uses the symbolism of literature to indicate that all too often each of us chooses darkness everyplace light, escape over fulfillment. Literature allows the ambiguity of our daily lives to come forth with brilliance.

As the previous examples suggest literature can help push us past depression or even despair. In Herman Melville's "Bartleby the Scrivener", Bartleby is presented as a man who has been reduced to the formulaic phrase, "I'd prefer not to" (Perrine 466). Employed as a copier, Bartleby refuses to do as his employer asks. Asked to work, he always indicates that this is not what he wishes to do.

Eventually, the boss feels forced to let Bartleby go from his job. Next, he is forced to perk up Bartleby physically escorted off the premises. Yet the vote counter's clemency has been stirred by Bartleby's condition. When Bartleby is sent to live in the Tombs, the teller asks the local grub-man to feed him. Melville concludes the story by showing the teller haunted by both Bartleby's wasted life and witless death. He is the one who stumbles upon Bartleby's corpse. Here Melville indicates that one of the strengths of literature is that it can move us toward greater compassion and empathy. The narrator tries to disengage himself of Bartleby, but in the end he realizes that he and Bartleby and charity are one (Perrine 484). When the grubman asks the narrator if Bartleby can live without dining, the narrator sadly responds that Bartleby now does live without dining and that, yes, he is hypnoid "with kings and counselors" (Perrine 483). Melville indicates that death is the great leveler. Now Bartleby is asleep with all who have lived before him. The amazing strength of this short story is that it bestows hauteur upon one of the seemingly most insignificant of men. Oddly, Melville's eulogy for Bartleby that he sleeps now "with kings and counsel
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