Female Performers in Country Music Essay -- Women Gender Papers

womanish Performers in Country MusicDuring the untimely twentieth century, southern medication began to be know by a somewhat more on the button and diverse set of classificatory designations such as rural area, discolour, and jazz, Through the phenomenal development of the radio and recording technology, the unison of the south rapidly became cognize throughout the nation. The contributions of early performers such as the great Jimmie Rodgers, Vernon Dalhart, Bob Wills, Milton Browne, the interpret cowboys and many others are well documented. But where are the egg-producing(prenominal) musicians during the early development of solid ground music, specifically during the 1920s and 1930s? In the blues field, the names of the legendary Billie Holiday, Bessie Smith, Mamie Smith and Ma Rainey are well known along with male performers such as Blind Lemon Jefferson, pin tumbler Leg Howell, and many others. In the opera, women had long held important places in the music and the same whitethorn be said of vaudeville. In earlier country music, female performers were much less prominent and their roles more muted. Furthermore, until recently, there has been a woeful lack of scholarly attention to the early roles of women in the defining of the music in its modern commercial form. A part of the paradox lies in the fact that enter country music from the pre-1940 period is rugged to find, but it is also likely that women performers were far less numerous during this period. Coltman (1978161) reports of that of the 377 pieces of recorded country music from the period 1922-1931 he had heard, only 12 (3%) were female soloists or all female groups, only 5% of the records were male groups who would bluster a female soloist, and only about 5% were known to peculiarity women as instrumentalists.... ...liche, Youve come a long way, baby.1Jill McWhorter is a 1990 graduate of center Tennessee State University and is currently a reporter and staff writer for the r efreshen Appeal in Franklin, Tennessee.2There is some evidence that Billie Maxwell, The Cow Girl Singer, may have been the first to record in this genre. (Cf Coltman, 1978164).3In the Summer of 1990, Patsy visited Murfreesboro and appeared as a surprise guest in my Elderhostel class on country music. She delighted us with a rendition of I Wanna Be a Cowboys Sweetheart and graciously consented to an interview. Some of the material in this section is pinched from that interview. BSA4Female performers are only beginning to compete in the songwriting arena and lock in woefully behind in the music publishing business. They have make great strides, however, in the area of artist management.