later on the Civil War, the Moorish style of architecture gained popularity among builders of American synagogues. One of the well-nigh popular styles with German Jews who emigrated to the U.S. in the 1840s, the Moorish style was developed by Christian architects to denote synagogues from churches. According to Gruber, the style's most distinguishing feature is the "horseshoe-shaped arches found in Islamic architecture.
Intricate, abstract geometrical patterns are a
The Stone alley Temple synagogue is a reminder that synagogue architecture basically reflects a variety of styles and is designed to meet the of necessity of the Jewish congregations and communities being served. Shari Goldberg argues that a good deal of the architecture of American synagogues in the 20th century followed a style that is called vernacular synagogue architecture: "Thousands of synagogues fit this basic interpretation of the vernacular; built without significant architectural innovation, often by congregants, using local forms and materials" (2).
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